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The 30 most stylish films of all time

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The 30 most stylish films of all time​

Sometimes when you're watching a film, you get a feeling that there's something much greater at work than just characters and a plot line, and there's a reason why some films persist in history, and others are lost to the past.
Films are about telling a visual story, and the script only comprises the bare bones of it. The cinematography, costumes, set design, and mode of storytelling, however, are what shapes and accessorizes a film—they make up the style. From the old classics to the new favorites, check out 30 of the best-dressed films you have to watch.
 

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'Blade Runner' (1982)​

Ridley Scott told the story of a bleak, rain-soaked futuristic film noir, which was somehow intensely appealing. The transparent coats, neon lights, and fictitious inventions went on to influence everything from architecture to fashion, advertising, and design.
 

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'Trainspotting' (1996)​

Who would have thought you'd want to take style tips from grimy drug addicts? This film is a cult favorite for the music, the one-liners, and most definitely the style, which was almost the antithesis of fashion, but which also represented the non-conformist style and spirit of a large part of Britain's youth.
 

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'Romeo + Juliet' (1996)​

Baz Luhrmann imbued Shakespeare with bright hues, Hawaiian shirts, neon hair, and a kind of hyper, spasmodic editing that somehow really worked.
 

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'La Dolce Vita' (1960)​

Fellini's masterpiece perfectly portrayed the beauty, glamour, and hedonism that bloomed in post-war Italy, from oversize cuff links to that stunning strapless black dress dipped in the Trevi fountain.
 

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'The Grand Budapest Hotel' (2014)​

Beginning with 'Rushmore' in 1998, Wes Anderson proved that he could make even a school uniform look exciting. More recently with this film, sharp and vibrant as ever, Anderson pulls you into a whole new world of coordinated uniforms, pastel pink boxes, and sweeping camera shots that feel good to watch even without a story line.
 

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'Boyz N the Hood' (1991)​

This coming-of-age tale borrowed from and strengthened the South Central LA street style, whose baggy jeans, snap-backs, and bright colors helped mark a new wave of both black cinema and fashion. Additionally, Cuba Gooding Jr.'s basketball jersey over a white T-shirt became a quick classic, and John Singleton became the youngest black director to be nominated for Best Director.
 

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'Pierrot le Fou' (1965)​

Jean-Luc Godard's colorful French New Wave film follows Anna Karina and Jean-Paul Belmondo as they embark on a crime spree through the French countryside all the way to the Mediterranean. Besides the stunning scenery and the way the characters play with the audience, their outfits almost act as extensions of their personalities, from his grey wool suit and vibrant collared shirts to her various A-line dresses and casual tomboyish outfits.
 

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'American Gigolo' (1980)​

The style in this film preceded nearly every trend in men's suiting in the two decades that followed, and it's the film that kicked off Armani's legacy. Richard Gere's luxurious take on business casual has continued to be a mainstay of business professionals.
 

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'Godfather II' (1974)​

The sequel is so good because it offers not one but two timelines, uniting Robert De Niro's early 20th-century formality with Pacino's '60s three-piece suit glamour, and everywhere you look in either world, men are dressed to kill or be killed.
 

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'A Clockwork Orange' (1971)​

The signature derby hat, suspenders, and eyeliner has permeated through pop culture in the 40 years since this film's controversial release. It proved that even the most grotesque violence can be told with style.
 

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'Reservoir Dogs' (1992)​

The two-piece suit had never looked so killer until Quentin Tarantino made it synonymous with rogue ex cons. What's more, most of the suits were vintage finds!
 

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'Dr. No' (1962)​

The most stylish of Connery's Bond films, and the first of Bond's kind, featured the signature turnback cuffs, as well as the classic suiting and sportswear in palettes of pale blues, navy, and, of course, black and white. The film's style of humor, sleek action, and sexy thrills also set off what the entire series would become known for.
 

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'Annie Hall' (1977)​

The time-travelling mode of storytelling is stylistically impressive enough, but Diane Keaton's boyish wardrobe made of waistcoats, trousers, and patterned ties (which was supposedly based on Keaton's actual style) went on to inspire generations of androgynous fashion.
 

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'In the Mood for Love' (2000)​

Wong Kar-wai's highly stylized romantic masterpiece put costume changes at the center of scenes, and actress Maggie Cheung's hair alone famously took four hours, while most of her best looks were handmade. But even more impressive is the acute representation of 1960's urban Hong Kong put together with attention to thousands of details.
 

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'Heathers' (1988)​

Style was at the forefront of this unforgettably '80s high-school flick, and it used wardrobe to tell a story: each member of the Heathers owns a color according to her social standing, and the entire school's hierarchy is represented through the appropriate uniforms of jocks, nerds, and so forth.
 
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